Drama
Salt of the Boring
Seeking: completing funds + Mexican co-producer.
Post your project in development. Open it to a vetted room of producers, sales agents, and acquirers who have already optioned 312 indie titles through I AM EIGA. The $41M raised since launch started in rooms that look exactly like this one.
A listing moves through a deliberate, paper-trail lifecycle. Every step is reviewed by a member of our acquisitions desk — none of it is automated, and none of it is anonymous.
Verified Member Filmmakers upload a one-page pitch, a lookbook, a draft budget, and the rights chain. The forms follow a sales-agent standard — not a crowdfunding form.
A member of our acquisitions team (9 former Sundance, TIFF, and Cannes programmers on staff) reviews the submission within five business days and requests what is missing.
Once cleared, the listing goes live to the Pitch Room and is routed by stage — development, production, post, or sales — to the producers, funds, and sales agents who have asked for that signal.
Meetings, NDAs, term sheets, and option agreements all happen inside the platform. Members report an average 38-day window between room opening and first decision-maker meeting.
Drama
Seeking: completing funds + Mexican co-producer.
Documentary
Seeking: world sales agent + festival premiere strategy.
Thriller
Seeking: lead producer with UK tax-credit track record.
Drama
Seeking: equity + a creative EP for sound design.
“I open the Pitch Room on Monday mornings the way I used to open the Sundance slate. The submissions are pre-vetted — by the time a project lands in my queue, I know the budget is real and the rights are clean. In eighteen months, four of my acquisitions started in that room.”
Listing is reserved for verified Member Filmmakers — a free upgrade from a basic signup takes about three minutes. The acquisitions desk reviews new submissions every Tuesday and Friday, with a five business-day turnaround on every project.